listening to war sound music trauma and survival in wartime iraq pdf Wednesday, May 5, 2021 4:26:06 AM

Listening To War Sound Music Trauma And Survival In Wartime Iraq Pdf

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This book studies the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with US military service members and Iraqi civilians, as well as on direct observations of wartime Iraq, the book reveals how these populations learned to extract valuable information from the ambient soundscape while struggling with the deleterious effects that it produced in their ears, throughout their bodies, and in their psyches. The book examines the dual-edged nature of sound—its potency as a source of information and a source of trauma—within a sophisticated conc

Listening to War

This book studies the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with US military service members and Iraqi civilians, as well as on direct observations of wartime Iraq, the book reveals how these populations learned to extract valuable information from the ambient soundscape while struggling with the deleterious effects that it produced in their ears, throughout their bodies, and in their psyches.

The book examines the dual-edged nature of sound—its potency as a source of information and a source of trauma—within a sophisticated conc The book examines the dual-edged nature of sound—its potency as a source of information and a source of trauma—within a sophisticated conceptual frame that highlights the affective power of sound and the vulnerability and agency of individual auditors. By theorizing violence through the prism of sound and sound through the prism of violence, the book provides a productive new vantage point for examining these strangely conjoined phenomena.

Two chapters dedicated to wartime music in Iraqi and US military contexts show how music was both an important instrument of the military campaign and the victim of a multitude of violent acts throughout the war. All Rights Reserved. Subscriber: null; date: 10 March OSO version 0. University Press Scholarship Online.

Sign in. Not registered? Sign up. Publications Pages Publications Pages. Recently viewed 0 Save Search. Martin Daughtry Abstract This book studies the centrality of listening to the experience of modern warfare. More This book studies the centrality of listening to the experience of modern warfare.

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Fragment 2 Stealth and Improvisation in the Desert. Fragment 3 Loudly Searching in the Resonant Darkness. Introduction to Section II. Fragment 4 A Fatal Mishearing. Fragment 6 Keeping the music turned down low. Fragment 7 Listening as Poiesis. All rights reserved. Powered by: Safari Books Online.

Cinema Journal

Martin Daughtry Corey K. Martin Daughtry. Oxford University Press. To state the obvious, modern warfare is extremely loud, often to the point of deafening. Seeking to break the silence sustaining the persistent visual emphasis on the experience and representation of modern war, J. These noises were all set against a wildly heterogeneous playlist or soundtrack of Western and Iraqi music, typically mediated through various modern sound technologies including, most significantly, the Apple iPod.


Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq. J. Martin Daughtry. Abstract. This book studies the centrality of listening to the experience​.


Martin Daughtry

Listening to War is an original if deeply idiosyncratic book. It is in some ways a breakthrough achievement in sound studies, providing among other things a model for how ethnographic interrogations of contemporary political events might be carried out. Before considering the book in detail, it may be worth pausing briefly over these spatial and temporal coordinates, which define the arena of violent sounds under consideration. Such a term can be misleading when applied to the time after the fall of Tikrit Most users should sign in with their email address.

The musicology of war and collective violence is a relatively young field, and appropriate theoretical frameworks for this research are still emerging. Here, an approach is outlined which, in keeping with the programme for music sociology outlined by Christian Kaden, is both systematic and historical in its approach. Perspectives from the sociology of violence Randalls Collins, Charles Tilly can help us understand the dynamics of collective violence, and thus the role of music within it. War is a cultural rather than natural phenomenon, and music plays significant roles in the rituals which enable wars to happen.

Martin Daughtry, Listening to

Listening to war : sound, music, trauma, and survival in wartime Iraq

Over the past several years I have been exploring the social dynamics of sound and listening in different contexts. The work I do draws from ethnomusicology, sound studies, the anthropology of the senses, and the ethnographic study of violence. The focus on violence, implicit in my early work, has intensified in recent years, as has my engagement with sound studies. But the emphasis on a the efficacy and fragility of cultural processes, b the phenomenology of listening, and c the persistence and transformation of sonic practices in the wake of social disruption has remained fairly consistent throughout. My students and I wrestle with a lot of the same issues in the classroom.

To witness war is, in large part, to hear it. And to survive it is, among other things, to have listened to it--and to have listened through it. Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq is a groundbreaking study of the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with U.

Listening to War (eBook, PDF)

Через десять минут Беккер уже сидел в буфете АНБ, жуя сдобную булку и запивая ее клюквенным соком, в обществе очаровательной руководительницы Отделения криптографии АНБ. Ему сразу же стало ясно, что высокое положение в тридцать восемь лет в АНБ нельзя получить за красивые глаза: Сьюзан Флетчер оказалась одной из умнейших женщин, каких ему только доводилось встречать. Обсуждая шифры и ключи к ним, он поймал себя на мысли, что изо всех сил пытается соответствовать ее уровню, - для него это ощущение было новым и оттого волнующим.

Сьюзан с опаской посмотрела на связанного шифровальщика. Стратмор сидел на диване, небрежно положив берет-ту на колени. Вернувшись к терминалу Хейла, Сьюзан приступила к линейному поиску.

5 Comments

Lucas L. 07.05.2021 at 13:55

To witness war is, in large part, to hear it.

Cinty R. 07.05.2021 at 19:30

Martin Daughtry, Listening to War: Sound, Music, Trauma and Survival in Wartime Iraq. Oxford et. al., Oxford University Press, , p. Morag Josephine Grant.

Ariane T. 08.05.2021 at 14:21

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Oseas S. 08.05.2021 at 22:17

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Dominic B. 11.05.2021 at 08:23

War is a cultural rather than natural phenomenon, and music plays significant Listening to War: Sound, Music, Trauma and Survival in Wartime Iraq [Texte.

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