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Later that same year, one of the greatest and most important inventions of modern music technology was made: the ladder filter! This filter-design patent was finally granted on October 28, Moog business records also confirm that Mick Jagger of the Rolling Stones purchased a system during the same period, but rumor has it that it was only used as a prop. It was later sold to those '70s space cadets from Germany, Tangerine Dream.
These early, wealthy synthesizer pioneers all recognized one thing: This new technology was something innovative and sounded special. The first Moog synthesizer prototype was designed in collaboration with Herb Deutsch a composer and lecturer at Hofstra University from July through September, Bob published his AES Journal article, "Voltage Controlled Electronic Music Modules," in July, Volume 13, Number 3 , and demonstrated custom modular synths in the same year, with the production models 1, 2, and 3 coming to market in The AES article featured British-born Composer Eric Siday, who commissioned Moog to build the first percussion synthesizer, and was the second-ever Moog customer Alwin Nikolais, a composer and modern dance choreographer, was the first.
The Moog series is the historic base-design for the Moog Filter series from the early modular synthesizers and influenced all those that followed. Studio musicians wanted a cut-down version of the modular to take on the road. In essence, they wanted the Moog sound with portability. Despite some radical design concepts with sculpted plastic and sci-fi looks, the classic wood cabinet was chosen by the musicians that Moog polled.
The MiniMoog filter was adapted directly from the modular synthesizers and the temperature-compensated oscillators and contour generators designed from scratch. The MoogerFooger introduced a new analog, voltage-controlled lowpass filter and envelope follower design by Moog at an attractive price. This put a MiniMoog-style VCF filter in a stomp-box form factor with knobs to control filter, cutoff, resonance, envelope, and mix.
The filter has a rocker switch for 2-pole and 4-pole modes, a smooth-fast rocker for envelope follower response, and the drive knob allows harmonic overdrive of the input.
The Voyager was first publicly touted in although it shipped in as a new MiniMoog for the modern MIDI era, and clearly referenced the classic design cues of the original MiniMoog. The spacing control, which allows the cutoff frequency of the dual filters to be changed independently, was a new core Moog filter feature.
In dual lowpass mode, the spacing control changes the cutoff of the right filter channel only, which allows for interesting stereo effects when the outputs are hard panned. In this mode, resonance only affects the lowpass filter.
Riding the spacing and cutoff controls together allows the pass band width to be dynamically changed. What makes the Moog filter sound special has been the subject of many academic studies and much speculation. The filter can certainly be overdriven in a musically pleasing way, as all the transistor stages clip gradually.
But it is also that famous 24 dB per octave filter slope resonant sound that is central to the essence of the Moog sound! When Jason Gross, interviewing Moog for Perfect Sound Forever in March, , asked him to name his proudest creation related to synthesizers, Bob made the most humble of comments:. Original Moog patent for the classic Moog filter. Bob Moog at the helm of the Moog Modular System. The Moog s-the original building blocks of electronic music.
Days: The Invention and Impact of the Moog. Synthesizer by Trevor Pinch and Frank. Trocco, this was but a first small step in a journey that would eventually.
By Trevor Pinch and Frank Trocco. Cambridge: Harvard University Press, The study of musical instruments remains largely partitioned from the broader study of popular music and cultural history.
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in , and Moog's company R. Moog Co.
By Trevor Pinch and Frank Trocco. ISBN In , nineteen-year-old Robert Moog founded a small company to facilitate the manufacturing and selling of Theremins and Theremin kits. As detailed in Analog Days: The Invention and Impact of the Moog Synthesizer by Trevor Pinch and Frank Trocco, this was but a first small step in a journey that would eventually make the name "Moog" perhaps the single-most identifiable "brand name" in synthesizers. The publication of this book is timed nicely to correspond with the recent flurry of activities leading up to the fiftieth anniversary celebration of the founding of the R.
This invention relates to the electronic production of music and more particularly to an electronic music synthesizer of great versatility which may be used both in the composition of music and in the performance of a musical composition. While electronic music producing instruments such as the electric guitar and the electric organ have been utilized extensively for the production of music, the electronic production of music by the simulation of a variety of different instruments presents the composer of electronic music with a different problem. Not only must the composer write a score, he must also synthesize the instruments or the tonal qualities he wants for the performance of his work.
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Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary.Jeanelle L. 30.05.2021 at 18:58
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Request PDF | On Jan 1, , Michael N. Geselowitz published Analog Days: The Invention and Impact of the Moog Synthesizer | Find, read.